Free Music Downloads - The End of Confusion

Music downloads are the number one hottest thing on the internet today! If you have a fast internet connection, you can download music. You can get music downloads onto your cell phone or iPod or just about anywhere you wish.

Walmart.com now has music downloads available in MP3 or WMA which is Windows Media Player or iTunes. You can download entire music albums or individual songs, your choice. The price is very inexpensive. You need to join Walmart.com first before you can get music downloads. However, you can also sign up for the Wal-Mart newsletter that tells you about any music sales.

There had recently been a battle between musicians and recording companies with several websites that were offering music downloads illegally. However, since then there has been a dramatic decrease of music piracy. If you still think getting music downloads illegally is still the best way to go there are a few things you need to consider. When you get music downloads you are also most definitely downloading viruses, malicious code and spyware onto your computer. In addition, if that happens there goes your music player.

The Internet police are still looking out for rouge music downloading. Have you heard of the 12 year old kid that was sought after and sued by music industry giants for downloading and selling copyright music? No one is immune to the law, so beware of rogue sites. There is also a moral issue here. Downloading music without paying for it is stealing from the music artists who work so hard to create quality songs for their fans.

Downloading music legally is both secure and free of viruses and spyware. While the artists receive their hard earn cut of the money also. Everybody wins with legal music downloads.

No more going to music stores or retail stores fishing through thousands of CD's to find the song you want by the original artist. All you need to do is go to a legal music download website and download until your heart's content. You can even preview a song or an album before you download it. No being stuck with a lot of songs you don't want just because you wanted the main song on the CD.

With music stores, there is the time constraint issue. Download music any time of the day or day of the week, 24/7 without limits. There are hundreds; maybe even thousands of music downloads services online offering music of all genres. These music genre specific sites offer styles like yoga, Christian, meditative, Rap and country. This type of variety gives you many choices to choose from.

The majority of music download websites require you to become a member and pay a membership fee. There are some websites that require members to pay for each download and others where the member pays weekly or monthly for unlimited downloads.

When you get music downloads you can burn CD's and create your own special mix of your favorite songs to create CD's for that special someone, music to work out with or for a special holiday or anniversary.

Isaiah Henry is a guru in the music industry; he has written such reviews on Rhapsody review. Go to Any Music Downloads for unlimited download music.
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Record Labels galore at New Music Label.com –

Toronto, ON March 18, 2007 - The music industry has changed more in the past five years than it has in the past 20 years. The time between the introduction of the CD and the introduction of sites such as Napster were rosy indeed. Few expected the changes that have occurred in the past few years. Album sales are down while marketing costs are high. The bottom line - industry professionals are searching for the next big thing.

Television programs such as "Rock Star: Supernova" and "American Idol" prove that there is a wealth of talented musicians in the world. Most however, haven't been able to find the necessary tools and resources to help make their dreams a reality. While one aspiring talent may have been fortunate to meet some label representatives at a recent gig - has that turned into a career? Many musicians are not familiar enough with the business of music to be able to negotiate a deal that is beneficial for all parties? Some are unsure what it is they should be looking for - marketing support, studio time and most importantly the mentorship.

The answers to these questions are but a click away. An innovative new website, http://www.newmusiclabel.com enables its members to connect with industry professionals who are looking to manage, promote, book, market and be part of the next wave of the music scene. From opportunities to have your music heard at festivals to finding the right management representative whose goals are concurrent with yours - find everything you are looking for to launch your band in one spot, right from your desktop.

There has never been a better time for aspiring musicians - the industry is hungry for new talent and is keen to promote the next superstar. With the right tools and connections, that dream could become reality for many.

About New Music Label:
NML is a one-stop solution for musicians and artists seeking management, exposure and representation to develop their careers. With the overwhelming number of talented individuals in Canada, United States and around the world, the NML community continues to grow with more and more Singers, Musicians, Producers, Agents and Record Labels looking to raise their profile.
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The Death-Defying Warehouse Party Life

About an entire local music industry that's rarely heard from, briefly navigated by a remote being that coalesces, rarely, around music scenes and their absurd atrocities; published by "The Stranger" weekly newspaper of Seattle, WA.

Sonny Chelf is the orneriest house party producer I know who hails from Tacoma. In fact, he's the only such producer I know from Tacoma. Most of those kinds of guys hang about the Seattle area, drifting back and forth in their musical skeins and ongoing search for monetary angles.

Jason Alley's from Issaquah. They both operate forklifts in warehouses for their real livings. And I met them over coffee awhile ago at Starbucks on Broadway for a happy, peppy interview with two of the greater Seattle area's own warehouse party producers.

Sonny, casual, relaxed and vivacious, wore "Portuguese" golden earrings; Jason, soft-spoken and shy, wore a diamond-blue ball cap over his sweet blue eyes and blond hair. Sonny is fair and Black, but doesn't sound that way until you press him, and then a trickle of southern Blacklish begins to filter in, conversationally speaking.

How long have you been involved in the warehouse game, I suddenly asked.

Sonny: The first part of this took place in 1981. That was in Germany. Parties in Germany used more hype. Parties here seem to be more about money and competition.

Jason: I joined TUF Productions for the last party. I joined with another party than ours...some producers have a different agenda than others...(indicating Sonny, giggling.)

What is your agenda? I asked the cute black dude.

Sonny: First we sit there and have a headache. Nah, usually I like to find a space first. That's kind of a last minute thing you have to do.

Jason: There's been a lot of problems with the city. The city is pushing hard to shut the shows down.

Sonny: There was a battle over permits being in order.

Jason: The city would threaten to take the house over.

Sonny: Yeah.

Jason: The city would intimate that a party would be through. The owners of the building would refuse to rent to those who produced shows, for fear their properties would have police action taken against them.

These statements led to general murmurings amongst us.

So, whatever is your "agenda" now, I softly inquired.

Sonny: (About) the agenda? Line up the DJs!!! They come from everywhere, basically. When we produce a flyer, we try to promote it (the party) day in and day out. During that time, we finish producing the rest of the show. Lights, sound, security, permits, "etcetera." And then it's showtime! I like to get in a building at noon, but it never happens. Just to fine-tune the building! (He laughed, sliding slowly backwards in his seat.)

Jason: If we have decorations, some people put up fences. (I never found out what "fences" are.) It needs all completed. The sound system usually arrives in the middle of things.

We joked around about the house movement...."Yeah, the houses are moving!!!" as I'm not much of a raver m'self, yet. The joints do indeed jump.

What message to others, anyway, do you guys have to impart?

Jason: Positive energy.

Sonny: Peace, love, joining one another together. But after the party comes the teardown. I hate it, but it has to be done.

I asked Sonny if that's his real name. Yes, it is. He was wearing a hunting cap, Polynesian earrings, and he vaguely resembled a certain letter of the alphabet due to his glasses.

Jason's blue ball cap was fastidiously reversed. Two more either-bread and mayonnaise guys could not be found, but they were definitely having to skirt the law.

I finally found out what happened last spring, which had been the current House Party Mystery Scenario.

Sonny: A dividing of the whole scene here occurred. There were occurrences of two parties being thrown on the same night. Something had to stop. Seattle's not that big. It's not that good here, we need more party room. Evolution (back in October, and partially run by a close relative of mine named Joachim, incidentally) just had 1500 people. It was over 15 (hundred), really.

Jason: We had over 1200. But Seattle is not really a good indicator. In LA (what doesn't begin, end, and stall out in LA?) they have BIG huge parties, with a couple hundred thousand people, easily.

A couple...what? I stupifiedly intoned, slurping my Starbucks. That couldn't be real, I thought, they'd need a football stadium...which they have, somewhere.

I dreamed to myself, the party interview vortex has been reentered. I've been being told that everyone and no one ever interviews these warehouse party guys. Now I see why. No one ever believes them when they talk about the party sizes.

Sonny then said he begged in on things with Jason through a mutual friend of theirs named Tim. On Tim, Sonny said, "we've talked to Tim. How're you?" This, referring to my earlier interview more on the Seattle end of things, with Joachim. Tim, there, is not a part of the company anymore. I guess that's the party vortex for you.

Sonny next managed to imitate the world's blandest, meekest expression, which was already on Jason's wan, pink face.

Jason: All I have to say is we hope people keep supporting the shows.

Sonny: I'm the quiet person of all this. I like to come in like the wind and leave...like...the wind...

Jason: I like to be around the people. I like to be around the friends. (I always got the impression this is a tightly-knit, hard-to-enter crowd. But I asked them about making a living at it.)

Sonny: I like to be around this for the money. If I didn't do this for the money, I wouldn't do it.

It feels like I've learned, after several interviews with Seattle/Tacoma's warehouse partying folks, that there's no money in this, really. Off the last shows, they don't seem to have made a dime.

PeaceFrog's Civilization party in November barely broke even, in fact losing at least $200. One of the PeaceFrog producers told me only about half the people coming in even paid. I don't think Joachim got his cut at all. But their group is still plugging away at making the lively, eventful, and appreciably loud parties continue to happen.

Sonny said, the way I feel...it might make the WRONG money...(I think he meant the probably drug revenues from hangers-on selling at the parties.) Me, I broke in with: But, what if you were, say, normal?

Jason: Good point.

Sonny: What if everybody else was like what's on the street, already there. (Recall that Sonny's Black, please.) You're gonna get 'em "thowed in jay-al." I've done two (parties) in Tacoma (an infamously Black establishment, in some ways.) There's a problem with that. Seattle people don't travel. The Dome is too commercial. This isn't...a commercial event...that I do.

Go to shows, Sonny said. I have a real job. I work, in a warehouse, driving forklifts. I'm a laborer. Saturday nights are my date. That's the party date. (He pretty much implied this is his social life. I am forced to think both Sonny and Jason are house-devoted, maximally.)

After this pleasant, caring interview time was spent, one happy writer left those two fine, unrude, music-bestrewed dudes to hit their next appointment in town. The memory lingers, but the music is fortunately elsewhere, waiting for the next party to begin. From the sound of things, I would suggest checking out LA, if I were you.

Guitar finger exercises-Most players need them

For starters I am not a writer. I am a guitar player and you probably are too. So if you moonlight as an English professor please don't contact me with corrections. That being said let's talk about finger exercises. For this article when I refer to finger exercises I am talking about the 2,3, or 4-finger chromatic type exercise.

It seems like there are two schools of thought when it comes to finger exercises. One is that they are totally necessary when learning. In 10 years of teaching guitar I find this to be about 95% true. The students who work hard on this area of their playing always do better than those who don't.

The other school of thought is that they are totally useless. For some players who absolutely tear it up on guitar, this is true. They became amazing players without doing any finger exercises but for the most part, players need them. I have read interviews with Yngwie Malmsteen where he mentioned that he didn't practice this kind of stuff. (Like his playing or not the guy can throw down with anybody.) There are always exceptions.

Steve Vai has reported to have practiced finger exercises as much as 3 hours a day. They were that important to him. Robin Trower is said to have practiced them "religiously" for a year. I have read articles with B.B.King, Zakk Wylde, Tom Morello and a boatload of other players who all worked on their technique using exercises. I personally know jazz players, classical players, country players and metal players all who completely tear it up and still work on exercises everyday.

Think about this. How much have you improved as a player over the last week, month or year? If it's been a lot, great! Keep doing what you are doing. If you are not where you want to be as a player, grab a metronome, finger exercise book and your guitar and spend some time trying these out. You will see results. Go slow and keep track of your metronome settings. Only increase the metronome by one or two clicks each day. It may not sound like a lot but after few months you will have sped up quite a bit. Also by tracking your progress will keep yourself motivated because you will be able see your results. This in turn will make you want to work harder. One of the reasons some people give up on guitar is because they can't see the results of their practicing. So make sure to do this.

It's very important to remember that this is only one part of playing guitar. There are so many other areas to address but if you aren't happy with your fingers better start here.

Anyway, Thank you for listening.

The Origins of Classical Ballet

Ballet is a beautiful form of dance that has captivated audiences for many years. Typically performed in a theatre, ballet is a powerful art that combines beauty and grace to tell a story. Ballet dancers must work very hard for many years to become good enough to perform in a professional ballet company, but this doesn't stop many little girls from dreaming that they can become the next prima ballerina.

Many people think that ballet originated in France, due the ballet steps that all have French names, such as the plie. However, ballet can be traced back to Italy during the Renaissance period of the 1400s. While this was really just a precursor to the classical ballet, the dances performed in Italy during this time led to the further development of ballet in France. The first ballet company arose in France and was called The Queen's Ballet Company.

By the mid 1600s ballets consisted of not only beautiful dances, but extravagant costumes, sets, and props as well. Professional ballet continued to grow, and it was very popular with royalty. For the next few hundred years the ballet's costumes continued to become more intricate, and toe dancing was introduced. The block toe shoes were not yet invented and so the dancers could only hold their positions for a second or two.

La Sylphide is credited with introducing the romantic style of ballet in the 1800s. This style used the toe dancing technique extensively and brought about many changes to ballet. However, to answer the question posed by many, the traditional tutu came from the ballet Giselle where the tutu was worn by all the ghostly spirits.

All romantic ballets focused on women and this encouraged women to take on increasingly to become ballerinas. They grew up in Russia, Denmark and even the United States. While ballet prospered in other nations, it started declining in France. The decline could be because ballet was seen as being very other worldly with mythical steps.

In the twentieth century however, ballet began to see a shift where the moves started to resemble human movement, thanks in part to the many different styles of dance that were becoming increasingly popular. This change has continued until today where many ballets incorporate different styles of dance as inspiration.

Some ballets today have even gone so far as to combine another style of dance into the ballet. In 1944 a ballet was introduced called Fancy Free that jazz dance with the ballet steps to create a revolutionary ballet, and it was well received.

Today many more modern ballets are being performed, while at the same time audiences still love the classical and romantic forms. All of these styles are still taught and performed as ballet is immensely popular. People are constantly impressed at the variety and complexity of movements that humans are capable of. Even though most of us will never be able to perform these moves, we can marvel and dream when we see ballet on stage.

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Art Galleries for the Connoisseur

In any city in the world that you choose to visit, you will be sure to find at least one art gallery. However, some of them are so well-known, that people will literally travel the world to find them. These most famous galleries house the great masterpieces of the world.

Probably the most famous art gallery in the world is 'The Louvre' in Paris. The most famous piece of art in the Louvre is the Mona Lisa, by Leonardo Da Vinci. This famous painting is kept under high security as it tops the list of art thieves the world over. The Louvre also houses many other famous paintings by Da Vinci and hundreds of other famous artists.

The Metropolitan Museum of Art in New York City, is a renowned location for beautiful art masterpieces. This museum has an impressive assortment of American paintings. In addition to these, it also has paintings and statues by famous artists such as Botticelli, Raphael, and El Greco. This makes it a global museum.

The National Gallery in London England is another amazing art gallery. It houses some of the most fantastic examples of European art, including paintings by Raphael, Manet, Da Vinci, Renoir, and Monet. The sheer number of paintings makes this gallery a must see for any art aficionado. Several of the most notable paintings here are (1) Sunflowers, by Vincent van Gogh, (2) The Virgin of the Rocks, by Leonardo Da Vinci, and (3) Venus and Mars, by Sandro Botticelli.

Other than the traditional art galleries found all over the world that house the old greats, there are many that focus on the contemporary arts of the twentieth century. The George Pompidou Center in Paris is one of the most famous contemporary art galleries and museums in the world. Even the building itself is totally contemporary, with all the ducts and piping on the outside.

The modern art galleries and museums often show furniture, sound, light, and musical exhibitions. They also feature the usually seen paintings, drawings, and prints. When you visit one of the newer galleries, you will definitely notice how times have changed over the decades, as reflected by the art.

Most of the major European cities are home to at least a national and a contemporary gallery. Usually there are also private galleries. Any time you visit a major metropolitan area, be sure to include the galleries in your itinerary. It's a wonderful way to learn about a country and its cultures. History and its changes are reflected in the art on display.

If you are interested in purchasing some art, the above mentioned art galleries won't sell you any of their master pieces. Typically you will need to go to a private art gallery to buy good art. You may not find Renoirs or Van Gogh's, but there is plenty of beautiful art that you can bring home. Art houses like Christie's often hold art auctions that feature some stunning pieces that you can bid on.

Art is an important part of any history. Paying a visit to a gallery can transport you back in time, where you can see works produced by some of the most creative minds to ever exist.

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Modern Street Art And The Artist Eltono

The word "graffiti" is often associated with vandalism. However, for modern street artist Eltono, graffiti is just another word for art. That's because Eltono's work can be found painted onto buildings and walls, in the same places one would expect to find graffiti. But don't be fooled -- Eltono's work is more than just graffiti -- it's modern art.

Eltono, whose name is Spanish for "the tone", is best known for painting a geometric representation of a tuning fork on buildings, rail sides, or any surface you would find in a modern city. His work first began in the city of Madrid in 1999, but it can now be found in cities all over Europe, South America, and Korea.

Unlike most graffiti artists, Eltono's art is subtle and understated. In fact, if his work isn't pointed out to you, it's likely you'll miss it. Eltono does this on purpose -- his art is a statement against the strident and overly-colorful street art that is commonly associated with the word "graffiti" here in the United States.

Eltono's art is different partially because his technique is different. Rather than using spray paint for his work, which can be imprecise and typically force an artist to work in rounded shapes, Eltono uses plastic paint and masking tape to create his art. This technique allows him to create perfectly straight lines and geometric shapes, contributing to his unique style.

Eltono's art can be found on buildings and walls that exemplify difference. For example, a brick wall with boarded up windows, with each board being a different grained wood, is a canvas for Eltono. Or perhaps a building that is haphazardly composed of steel, brick, and lumber would be marked. These scenes are his canvas.

Eltono will decorate the scenes described with a simple collection of lines and shapes, drawing a sharp contrast to the typical "tagging" that one would expect to see when they think of graffiti. Perhaps his emphasis on subtlety has helped him gain the international recognition he enjoys.

As with all good art, Eltono's work is thought provoking. Is their a political statement about urban growth and renewal? Is his use of geometric shapes intended to reinforce or challenge the design of a modern city? While Eltono's work certainly deserves your attention now, will his work receive the attention it deserves in the future, or will he be cast aside because his art form is often associated with vandalism? Only time will tell.

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Every Cross Stitch Beginner Has to Start Somewhere

We all like to jump right in when we're excited about something new, like a new hobby. Cross stitch is no exception. Many of us try to tackle a project that's simply too big when we first start out. We overlook that we're a cross stitch beginner, and we buy a kit that overwhelms us. It's easy to end up with a half-completed project this way. Many kits have complicated patterns, a myriad of threads, and complex stitches. Jumping into the deep end can cause you to get discouraged almost immediately.

The best thing a cross stitch beginner can do is learn the basics before they attempt to stitch anything and the following two sites teach everything that you will need to know to stitch your first masterpiece:

www(dot)yarntree(dot)com/007begin(dot)htm What a fun site this is. There's a cross stitch chart on this site that's free and comes with the directions you need to stitch the pattern. Moreover, the site lists what items you need to buy if you're new to cross stitch. As you explore, you'll discover information on lots of cross stitch topics. You can learn about such topics as fabric choices and how you make your first stitches. Even more advanced stitchers can find something of interest here.

www(dot)caron-net(dot)com/patguide(dot)html When it comes to learning about cross stitch, this second site has lots of valuable information. No matter whether you're new to cross stitch or have been stitching for some time, you'll find helpful hints and information. For instance, you can find ideas on selecting your floss and fabric, along with instructions on how the stitches are created. What's helpful is that new information is added on a regular basis, so you'll want to stop by frequently to find the latest hints.

After you've had a chance to learn some of the basics, you'll want to find a great pattern for your first project. When you're first starting out, you'll want to find a simple pattern. Avoid complicated patterns because they may be too difficult, which may cause you to become discouraged. Instead, look for easy patterns. The question becomes, where should you look? The internet is filled with cross stitch patterns, so where should you start?

A great place to find cross stitch patterns is www(dot)cross-stitch-academy(dot)com/beginners/beginners(dot)html. This site has eight cute patterns that are made for beginners. For each pattern, you're given a chart that shows you how to stitch the design, a nice illustration that shows you what your completed project will look like, and instructions on the floss you'll need to stitch the pattern. To make things even easier, the instructions lead you through the steps, explaining carefully what color floss you use for each stitch.

The site is so easy to understand that it is suitable for children and what is more, all eight designs are absolutely free to download. There are a couple of simple motifs, a bouquet, a first border pattern, an Easter project, a Christmas project and a pretty little Mothers Day project as well which means there is something for everyone. Also the same site has a number of more advanced patterns for when our beginners gain their feet that include very clear instructions, and a self-explanatory symbol key.

While you're exploring the internet for patterns, you'll want to look at several sites. One excellent site is www(dot)dltk-kids(dot)com/type/crossstitch(dot)htm where stitchers of all skill levels can find patterns they like. Although at first you may feel this site is for children, a quick look around will prove it has a lot to offer all stitchers, particularly a cross stitch beginner.

There are a number of animals to choose from including a dog, a cat, a chicken, a frog, a turtle and a little ladybug. There are also patterns for each of the seasons, a Christmas pattern, a mother's day pattern and a St Patrick's Day pattern. All of the patterns are printable as are the instructions and the floss charts.

The wonderful thing about cross stitch is it's a hobby filled with possibilities. Even if you are a cross stitch beginner, you'll easily be able to find terrific patterns to follow. As your skills increase, even more options will become available. With a little practice and patience, before you know it you'll soon be a cross stitch pro!

Mysterious Ghosts at the Old Sheep's Inn - Part 1

If the research about this old building, situated on the outskirts of London, was to be believed then not all was well with this public house.

Built in the late 18th century, the inn has remained a public house/B&B since it was first built. Research tells us that it's cellar, which is split into many rooms, was used as a holding area for prisoners when they were being brought down to the courthouses in London.

Katherine decided that we should carry out our ghost investigation in this old inn when she found out that a lot of the prisoners held in the cellars never left alive. The current owners of the inn told Katherine about some of the ghost activity that kept them awake at night.

Glasses have being thrown off tables, tables and chairs have been moved in the night, and strange ghostly figures have been seen, but the thing that interested our ghost team the most, were the ghostly screams coming from down in the cellar. The staff at the inn refuse to go down there alone, often don't go down there at all in the evenings.

The team turned up and began our initial investigations into the workings of the building. We placed a glass in the middle of table in the bar area and around it laid some flour. Hopefully when we returned later on in the evening the glass would have been moved. We also placed some motion detectors in the hallway going from the bar to the cellar area to catch anything that may move through beams.

We brought Annabel in to give us her initial opinions of the building. Walking into the bar area first Annabel told us of the ghost energy of the past 300 years that still resided in the building. She told us of people and noises, the smell of ale and talking and laughing.

Annabel found it very hard to concentrate on any one given thing, as she was beginning to tell us so before she stopped. Annabel asked to leave for a few minutes for some fresh air. This is something we had never come across before on our ghost hunts, and were quite shocked by this.

After ten minutes outside, she returned and began to tell us about the energies in the building and how earlier she was about to speak, when somebody whispered in her ear "Those that will be judged will be done so here."

She saw a very strong image of a man tied up to a pole as he was being whipped to death. This image had been so vivid that Annabel had to go outside and take a breather to clear her mind.

Now that she was back in however the ghostly images had returned. She informed us that the voice she was hearing was from one of the old patrons at the inn. "Robert". She told us that when criminals were bought here and held overnight some of the soldiers escorting the prisoners paid Robert to do away with the men so they could lay claim to the prisoners dying on the way down to London. The soldier's get paid and they could return home sooner than expected.

To be continued

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